joewright:

Female cinematographers:

Kat Westergaard
Lovesong (2016)
Directed by

So Yong Kim

“The film inherently looked and felt different just based on the styles and sensibilities Guy [Godfree, second cinematographer] and Kat individually brought to the two halves of the film. Cinematography and color grade are utilized along with the art direction to illustrate a passage of time. Kat’s first half was warm, less contrasty and had an inviting and colorful feel. In the second half, shot by Guy, more cool tones come into play, with a bit more contrast. The warm tones are from more artificial sources at this point and these convey how the characters have matured and how their relationship has evolved.” — Sal Malfitano, colorist on Lovesong