I really do feel that the cult of personality around stan lee is reflective of a larger contemporary misunderstanding about how art production works but like frog emoji tea emoji
is the iliad good bc of the first poet who had the idea of a guy who’s immortal everywhere but his ankle? do we have to keep building monuments to individual men instead of recognizing how many different artists’ work goes into creating a single comic book or movie, never mind an entire pop culture mythos? hark! the days of the people’s cinematic universe are fast upon us
Category: Uncategorized
Lesbians of the day: Emma Stone as Billie Jean King and Andrea Riseborough as cute hairdresser in Battle of the Sexes (2017)
“a whole new person”
Desert Hearts (1985) in The Miseducation of Cameron Post (2018)
Pomegranates II, 2015 – Jacob Collins (b. 1964)
oil on canvas | source:
I can’t say that I regret any of my actions. In many ways this has been the best time of my life.
Skate or die, bitch.
Skate Kitchen (2018) dir. Crystal Moselle
Gemma Ward is a Girl on Film
Sharna Osborne for i-D Winter 2018
“
[…] lovers who touch each other with words, whose contact with each other is made of words, and who can thus repeat themselves without end, marveling at the utterly banal, because their speech is not a language, but an idiom they share with no other, and because each gazes at themselves in the other’s gaze in a redoubling which goes from mirage to admiration.”
— Maurice Blanchot, The Writing of the Disaster
“The more familiar two people become, the more the language they speak together departs from that of the ordinary, dictionary-defined discourse. Familiarity creates a new language, an in-house language of intimacy that carries reference to the story the two lovers are weaving together and that cannot be readily understood by others.”
— Alain de Botton, On Love
Früchtestilleben (detail) Adriana Johanna Haanen (Dutch, 1814–1895)

